From Publishers Weekly
At
once audacious, dazzling, pretentious and infuriating, Mitchell's
third novel weaves history, science, suspense, humor and pathos through
six separate but loosely related narratives. Like Mitchell's previous
works, Ghostwritten and number9dream (which was
shortlisted for the Booker Prize), this latest foray relies on a
kaleidoscopic plot structure that showcases the author's stylistic
virtuosity. Each of the narratives is set in a different time and
place, each is written in a different prose style, each is broken off
mid-action and brought to conclusion in the second half of the book.
Among the volume's most engaging story lines is a witty 1930s-era
chronicle, via letters, of a young musician's effort to become an
amanuensis for a renowned, blind composer and a hilarious account of a
modern-day vanity publisher who is institutionalized by a stroke and
plans a madcap escape in order to return to his literary empire (such
as it is). Mitchell's ability to throw his voice may remind some
readers of David Foster Wallace, though the intermittent hollowness of
his ventriloquism frustrates. Still, readers who enjoy the "novel as
puzzle" will find much to savor in this original and occasionally very
entertaining work.











